2024第三届“敦煌奖”中国民族室内乐与独奏新作品展评活动

活动立意：扩展中国民族音乐产业链，衔接乐器生产、乐器演奏使用、音乐作品创作、教学等环节，打造全球化音乐开放传播平台，创造良好的民族音乐生态环境。

活动宗旨：以公平、公正、公开为原则，发现、推广具有文化艺术审美价值和时代创新精神、适合基层艺术社团演奏的优秀民族室内乐、重奏、独奏作品。

主办单位：中国乐器协会

承办单位：北京华夏璇音艺术传播中心

协办单位：上海民族乐器一厂有限公司

比赛官方网站：

华夏璇音艺赛网   www.cn-imc.com 

荣誉联合推广：

上海音乐出版社

华音网

昭华民族音乐

新加坡华乐总会

世界传统音乐种子库

美国国际演奏艺术友好协会

NPO法人日本二胡振兴会

加拿大英才中乐协会

澳大利亚中国民族管弦乐学会

马来西亚禾乐艺术及文化协会

（一）活动参与对象：Participants

参选作品作者年龄不限、国籍不限， 参评作品必须为原创作品。（作品报送人应为作者本人，特殊情况须标注原因）

（二）展评作品征集要求： Requirements

本活动征集的室内乐和重奏作品主要面向非职业学生、民乐爱好者组成的重奏、室内乐团，独奏作品也建议更适合非职业民乐爱好者使用。

1、作品要求是2021年1月1日后创作的作品，必须是未曾在各类比赛中获过奖的作品。

2、作品要求短小精致，具有较强的可听性、旋律优美、雅俗共赏，易于传播推广。

3、作品演奏时长限八分钟之内（含八分钟整），如报送的作品超时，将不纳入评选系统。

4、请在报送时注明作品创作题材（现代自由主题创作或根据中国古典文学的《哪部作品》作曲）

5、室内乐类作品不同于齐奏、领奏等演奏形式，提倡创建多种多样的组合形式，充分发挥重奏及室内乐的艺术表现力；独奏类作品提倡旋律性，艺术性。

6、采用创作歌曲、影视插曲、外国音乐、乐曲及其他艺术品种音乐片段等素材改编的作品不得违反《著作权法》有关规定。

参评作品均应拥有本人所交作品的著作权，确保该作品绝无侵害任何第三方知识产权及其他相关权益的情形。如因此导致任何侵权行为和任何个人或集体经济、精神损失的，均应由提交该作品者自负责任，与本征集活动及征集单位无关。

（三）作品类别和分组方式

（作品报送人在报名表单上需要注明以下内容）

A、作品名称、演奏人数（3-20人）

B、演奏形式及乐器组合：（创编作品使用乐器均为中国民族乐器，可根据需要适当增加大提琴、低音提琴、木琴、马林巴、铝板琴等西洋乐器）

①单一乐器组合形式（如：古筝重奏、琵琶重奏、笛子重奏、二胡重奏、打击乐重奏等等）

②同类乐器组组合（如：弹拨乐器组重奏、合奏，拉弦乐器组重奏、合奏，吹管乐器组重奏、合奏，打击乐器组重奏、合奏等）

③不同乐器、不同乐器组的综合性重奏、合奏、室内乐形式

④跨界多元风格的民族器乐组合（民族乐器为主奏乐器，可混搭人声、西洋乐器、电声伴奏等形式）

本届展评的独奏类作品不划分类别，统一评选。请在作品报送时标注（为***乐器而作），报送作品可带一件（钢琴或扬琴）伴奏。

（四）参评资料报送方式和要求

1、请扫描二维码在线填写报名表并提交资料：（本届展评活动不收取任何费用）

2、每人限报两首作品（报名时分别填报），请将参加展评的作品CD小样、电子版总谱(PDF格式文档-总谱打印版或手写版扫描均可，要求字迹清晰)，一张个人近照；乐曲简介（乐谱不得署作者的姓名及与乐曲无关的任何标记）及个人手写签名的创作版权承诺书照片（本人承诺报送作品《xxx》为本人创作，无版权纠纷）在线报名时提交或发送至组委会邮箱：1014926075@qq.com;

3、报送的演奏CD音频应为实际乐器演奏录制，不能使用MIDI合成或制作;

4、如有不合以上要求的参评作品将取消展评资格（评委会成员不得有作品参评）

（五）展评办法及时间安排

评委会由海内外著名作曲家、指挥家、器乐演奏家担任，并开设大众网络投票环节。

1、报名起止时间：2024年4月1日—8月30日。

2、初评时间：9月1日—10日 评审委员会进行初评，并公示进入终评的作品

3、终评时间：9月11日—9月30日  大众网络投票、专家评委团评审。

4、2024年国庆期间发布获奖名单。

5、评选活动结束后，组委会将以不同形式陆续进行展播和推广。

（六）奖项设置与相关权益

奖项奖品：

1、“评委会特等奖”室内乐和独奏各1名（可空缺）

2、金奖2-3名（每组）

3、银奖3-6名（每组）　

4、铜奖5-9名（每组）　

5、优秀作品奖若干  

6、最具网络人气奖（网络投票）

7、以上奖项均将获得获奖证书

8、“评委会特等奖”奖金：壹万元人民币

9、每组金奖第一名奖金：叁仟元人民币

相关权益：

1、获奖者拥有作品的著作权。

2、主办方拥有三年作品使用权及著作出版权。

本章程如有未尽事宜另行补充通知。

报名咨询电话：17601655920

微信：华夏璇音艺术空间（同手机号）

Since the first "Dunhuang Award" for Chinese music was successfully held in 2017, it has discovered and promoted a group of newcomers and new works providing a more diverse platform for the display and promotion of new compositions in Chinese music, as well as for professional and non-professional composers.

The second "Dunhuang Award" in 2021 for new works in Chinese chamber music brought forth new voices and expanded the concept of Chinese element music to a broader international audience. The composers participating in the 2021 "Dunhuang Award" included those from major domestic music academies and local orchestras, as well as professional composers, teachers, performers, students, and enthusiasts from the United States, Canada, and Australia. The organizing committee specially invited famous composers and conductors from China and abroad - as well as thirty front-line performers, teachers, composers, conductors, and university professors in Chinese music - to form an expert panel of judges. This professional evaluation group provided objective and rigorous reviews of the listed works.

The third "Dunhuang Award" in 2024 for new works in Chinese chamber music and solo compositions will collect and evaluate works from two creative perspectives: 1) the composers' free creation, and 2) the creation of works with a specified thematic direction. The thematic direction should be based on the musical expression of traditional Chinese literature, drawing creative inspiration from the literary content of “The Book of Songs” or “Tang and Song Poetry.” We encourage composers to make extensive use of Chinese traditional musical elements, to focus more on classic Chinese culture, and extend the innovation of Chinese musical aesthetics and cultural connotations.

The purpose of the event is to expand the Chinese national music industry chain, connecting the production of instruments, the use of instruments in performance, the creation of musical works, and education, thereby creating a global music distribution platform open to all that fosters a healthy ecosystem for national music.

Based on the principles of fairness, impartiality and openness, to discover and promote outstanding Chinese chamber music and solo works with cultural and artistic aesthetic values and the spirit of innovation of the era, which are suitable for promotion by fundamental level art associations.

Honorary Support

China Musical Instrument Association

Co-producers

Shanghai No.1 National Musical Instruments Factory. 

Beijing Huaxia XuanYin Art Communication Center

Co-sponsors

Shanghai Music Publishing House

Huayin Network

Zhaohua Ethnic Music

Singapore Chinese Music Federation

World Music Seeds 

International Friendship Through the Performing Arts U.S.A 

NPO Japan Erhu Promotion Association

Canadian YC Chinese orchestra association 

Australian Association of Chinese Traditional Music Incorporated

Persatuan Seni Dan Budaya He Yue

We welcome composers of all ages and nationalities to submit their original works (works should be submitted by the composer themselves unless special circumstances prevent it. If so, please include an explanation for noncompliance).

Submitted chamber works are mainly intended for chamber ensembles and orchestras made up of non-professional students and Chinese music enthusiasts, and solo works are suggested to be more suitable for non-professional music enthusiasts.

Composers of submitted works must own the copyright to their work and ensure that the composition does not infringe upon the intellectual property rights and other related rights and interests of any third party. The person who submits the work shall be responsible for any infringement and any personal or collective economic or material loss resulting thereon and will not hold the solicitation activity and the solicitation unit responsible for any loss.

Please include the following information on the submission form:

A、Title of the work  & Number of musicians（3~20）

B、Ensemble type and instrumentation: The instrumentation used should primarily be Chinese, but can include Western instruments such as cello, double bass, xylophone, marimba, vibraphone, etc. Other instruments may be added according to the needs of the piece if available.

①  Ensembles of single styles of instruments (e.g. guzheng ensemble, pipa ensemble, dizi ensemble, erhu ensemble, and percussion ensemble).

②  Combinations of musical instruments of the same category (e.g. plucked string ensemble, string ensemble, wind ensemble or percussion ensemble).  

③  Ensemble of mixed instruments (e.g. chamber ensemble containing a mix of instruments).

④  Crossover multi-style instrumental combinations (Chinese instruments as the main instruments can be mixed with vocals, Western instruments, electro-acoustic accompaniment and other forms).

The solo works in this year's exhibition will not be divided into categories and will be judged uniformly. Please mark (for *** instrument) when submitting your work, which may be accompanied by another single instrument (piano or yangqin).

1、Please scan the QR code to fill out the submission form online:（There will be no fee for this event.）

2、Each composer may submit up to two works. Please send  1）the audio demo of the work,  2) an anonymous electronic version of the score (PDF format document of the printed version of the score or the scanned handwritten version - the handwriting should be clear and the composer’s name should not appear anywhere on the score),  3) a recent photo of the composer，  4) a brief program note,  5) handwritten and signed photo copy or scan of the copyright agreement (I undertake that the submitted work "xxx" is my own creation and there are no copyright disputes). Submit all materials to the organizing committee's email: dunhuangbei@163.com;

3、The submitted performance audio should be recorded on an actual instrument, not synthesized or produced with MIDI.

4、Any submission that does not meet the above requirements will be rejected from the exhibition. Jury members are not eligible.

The jury is composed of prominent composers, conductors and performers nationally and internationally. A public network voting link will be set.

1、Sign up and submission period: April 1st to August 30th, 2024.

2、Initial review: September 1st to 10th 2024. The initial review will be reviewed by the evaluation committee. Works that are accepted for the final review will be publicized.

3、Final review: September 11th to 30th, 2024. A public online voting and expert panel review will be conducted.

4、Award details will be released around the first week of October 2024

5、After the evaluation, the organizing committee will continue to display and promote the works in different forms.

Awards:

1. 1 “Jury Grand Award” (can be vacant)

2. 2~3 Gold Award (per group)

3. 3~6 Silver Award (per group)　

4. 5~9 Bronze Award (per group)　

5.  Outstanding Works Awards

6. Most Popular Award (online voting)

7. All of the above awards will receive certificates 

8.Prize for “Jury Grand Award”:  Ten Thousand Yuan (RMB) 

9. Prize for the winners of Gold Award: Three Thousand Yuan (RMB)

Related benefits: 

1. The winners own the copyright of their works.

2. The sponsor has the right to use winning works and publish the works for three years.

The Organizing Committee reserves the right of final interpretation of this regulation. For matters not mentioned above, a supplementary notice will be given.

Enquiries Number：+86 17601655920

WeChat：